Original movies face massive hurdles in theaters today. In 2024, every single one of the top 20 highest-grossing domestic films was a sequel, prequel, adaptation, or remake. Audiences prefer spending money on familiar properties rather than unknown entities.
Streaming services pose a major threat since people would rather wait a few weeks to watch a movie at home as part of a subscription they already pay for. The decline of a unified monoculture also makes marketing these new stories incredibly expensive and difficult. The traditional movie star can no longer guarantee ticket sales either.
Key factors
Streaming competitionViewers wait to watch films at home to save money.
Audience fragmentationMany entertainment options make marketing new concepts difficult.
End of the movie starFamous actors no longer guarantee box office success.
Desire for familiar propertiesFranchises and sequels dominate the highest grossing charts.
Original films, especially non-horror titles, face significant challenges at the box office in 2026, often struggling to recoup their budgets due to fragmented audiences and increased competition from streaming services.
The Declining Success of Original Films
Lack of Box Office Dominance: In 2024, Users observed that every single one of the top 20 highest-grossing domestic films was a sequel, prequel, adaptation, or remake, highlighting a stark absence of original tentpole successes. "Every single one is a sequel, prequel, adaptation, or remake."
2020s Trend: The current decade shows a concerning trend, with only one original movie from this decade (Hi Mom, a Chinese film) making it into the top 20 highest-grossing original movies of all time. "The 10th movie of this list is Hi Mom which a is a chinese original movie,it is the only movie from this decade on this list."
Impact of COVID-19: The pandemic significantly impacted the theatrical performance of original films, with some, like Encanto, potentially missing out on higher box office numbers due to these conditions. "Encanto definitely would have been on this list if not for covid."
Factors Contributing to Struggle
Competition from Streaming: The rapid transition of movies from cinemas to streaming platforms severely undercuts theatrical runs, as audiences prefer waiting to watch at home as part of existing subscriptions. "Why would I spend my hard earned money on tickets, snacks, and travel when I know I can just wait a few weeks and watch it at home as part of a subscription Iām already paying for?"
Marketing Challenges: Marketing original films is increasingly difficult and expensive due to fragmented audiences and the decline of a unified "monoculture," making it hard to make new films widely known. "I think it's more that there are so many entertainment options nowadays (YouTube, Twitch, Netflix, TikTok, videogames, etc) that it's hard to convince people to spend money on an unknown entity they're not sure they will enjoy, which then goes to your point about sequels/remakes/reboots."
Erosion of "Movie Star" Power: The traditional pull of a movie star to guarantee box office success for an original film has diminished, with audiences now prioritizing established IPs over individual actors. "The idea of the "movie starā, sans a few exceptions, is mostly dead."
Exceptions and Dissenting Views
Horror Genre Success: Original horror films continue to be a notable exception, frequently breaking out at the box office due to their dedicated fanbase and lower production costs. "Horror has always been a genre that overperforms with originals."
Mid-Budget Original Successes: Some Users point to recent mid-budget, non-horror original films like The Drama and Marty Supreme as examples of continued success, albeit with a certain ceiling. "Thereās still quite a few well performing original films, I think thereās just a certain ceiling that they have."
Defining "Original": There's a debate on what truly constitutes an "original" film, with some arguing that movies based on books or lesser-known online lore, like Project Hail Mary or Backrooms, should not be considered fully original. "But people sometimes use "original" to describe movies that are not part of a franchise or a well-known IP, even if they are based on a book."
Are studios likely to continue investing in original films across various genres given these challenges?
Key takeaways
Original non-horror films struggle to recoup their budgets.
The top 20 highest-grossing domestic films in 2024 had zero original titles.
Streaming subscriptions convince audiences to wait instead of buying tickets.
Marketing new films is harder without a unified monoculture.
Established intellectual property matters more than famous actors.
Common mistakes to avoid
Assuming a famous actor will sell an original script.
Relying on a unified culture to naturally market a film.
Expecting massive tentpole success for mid budget original films.
Classifying adaptations of books as entirely original works.
Quick tips
Keep production costs low to ensure profitability.
Target dedicated genre fanbases like the horror community.
Be aware of the financial ceiling for non-franchise films.
FAQ
Do any original movies perform well at the box office?
Horror movies consistently do well because they have dedicated fans and lower production costs. Some mid budget films like The Drama and Marty Supreme also find success, though they tend to hit a certain financial ceiling.
How has streaming affected theatrical runs?
Audiences often skip the theater to save money on tickets and snacks. They prefer to wait a few weeks to watch new releases at home through their existing subscriptions.
Are movie stars still able to sell original films?
The idea of the movie star is mostly dead today. Audiences care more about established intellectual properties than they do about specific actors.
What is the current trend for original movies in the 2020s?
The decade shows a concerning lack of original hits. Only one original movie from this decade, the Chinese film Hi Mom, made it into the top 20 highest-grossing original movies of all time.
No comments yet. Start the conversation.